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Friday 10th February 2012  GMT 


General Menu  Main Convention  Main Convention Review  Tickets Explained  10 Reasons To Attend  FAQ   Qualification and  Competition  The BIG L Challenge  20 x 16 Competition   Social Nights  Awards Night - Dinner   Hotel and London  NEW Convention Hotel  What to do in London  Why Visit London  Meeting Room Locator   2012 Round-Up  2011 Awards  2011 Trade Awards  Masterclass Pics 2012  Trade Show 2012  Social Pics 2012  Sandy Puc Location  2012 John Denton  Stuart Bebb Location  Sandy Puc Location     Trade Show  Exhibitor Line Up  2012 Trade Show Deals Booking Forms  Trade Show Booking Form  Convention Booking Form   Convention Archive  Archive

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Jorgen Brandt

Composing your images the intuitive way (Superclass) (Maximum 10 people)

Friday 15 Jan 09:00 - 13:00

Image composition is uniform language of all imaging – and there are so many more ways of doing it than the simple rule of 1/3rds.

We will analyze several images compositions and talk about how to make composition “second nature” when being out there making images – instead of merely taking them

We will start analyzing some of my images – but please feel free to bring some of our own images as well. You will get the most of this Superclass by bringing some of your own work also

Then you will be given some excises for making images – which we will then analyze

At http://uk.jorgen-brandt.dk you can see some of my commercial as well as Fine Art work

This class is very limited on numbers.
Book now to avoid disappointment.

Members £75 Non Members £85 (Per Person)

To Book your place, please phone +44 (0)1745 356935


Jorgen's Bio

 

There are 333 days to get ready for the SWPP Convention and Trade Show at The Hilton London Metropole Hotel ...
which starts on Tuesday 8th January 2013

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Photo Quote: Now to consult the rules of composition before making a picture is a little like consulting the law of gravitation before going for a walk. Such rules and laws are deduced from the accomplished fact; they are the products of reflection . . . -Edward Weston