Master's Guide to Wedding Photography - Author Marcus Bell
Marcus Bell is an internationally acclaimed photographer whose images evoke emotion, demand respect, and stand out from the crowd
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Members News Monthly Image Competition April 2012 |
InDesign for Design

with contributions from:
Tom Lee
Mark Ashworth
Kirsty Ashworth
Chris Morris
Jane Briscoe-Price
We have been prowling around this conundrum for quite some time, indeed
we have written on the subject every now and then. Most people who
design their own wedding albums do so using either Photoshop or some
form of utility program associated with their processing laboratory. The
popularity of this approach is testament to its success; it is certainly
a straightforward way to design an album.
The conundrum, though, is this. If Photoshop
is a good page design tool how come nobody uses it to design magazines?
The answer is obvious if you think about it – text. There is so much to
handle in a magazine that page layout programs such as InDesign and
QuarkXpress are largely dedicated to controlling text placement, running
it around pictures, arranging pictures on the page and finally getting
the whole thing onto a press in an orderly manner. But what else is
Creative Suite good at and how does this impinge on album design, with
their relatively sparse text content? Well fashions come and go but as
far as design is concerned there is an indication of increased usage of
vector art mixed in with pixel-based imagery. If you don't believe us
take a look back through the last couple of months of competition
entries (there – we do look at them now and again!).
Although you can use vector shapes within Photoshop you cannot
manipulate them as easily as you can in Illustrator and this is the key
to the argument we are following. Illustrator brings with it the
functionality of Live Colour (more on that later) along with the ability
to transfer vector shapes, via the clipboard directly into either
InDesign or Photoshop.
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