Master's Guide to Wedding Photography - Author Marcus Bell
Marcus Bell is an internationally acclaimed photographer whose images evoke emotion, demand respect, and stand out from the crowd
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Members News Monthly Image Competition April 2012 |
Uzair Kharawala is certainly a glutton for
punishment but he always tortures cameras as well! First it was the
London Eye with the D3, then the Swiss Alps with the D3x. Now he shares
his experience of shooting a wedding at the world-famous Ice Hotel, at
temperatures as low as -29°C and shooting the Northern Lights at ISO of
12,800 with the Nikon D3S.
One of the most exciting and challenging shoots I’ve ever done was
during my trip to Lapland, just short of the Arctic Circle, in Sweden.
The trip came about when I was booked to photograph a wedding at the
world famous Ice Hotel in Sweden. This was roughly the same time as the
Nikon D3S was launched and so it was the perfect opportunity to test the
camera for its high ISO capabilities in such low light and extreme
conditions.
I
was specially excited about the use of the video on the DSLR. Initially,
I wasn’t too keen about this video capability when they were first
introduced, however, I now love it and am starting to enjoy it more and
more. Prior to my visit to Sweden, I did photograph a wedding here in
the UK with the D3S and the image quality at ISO 10,000 and 12,800 was
stunning – so I wasn’t too concerned about the low light situation over
there.
The trip involved photographing a pre-wedding shoot, the wedding itself,
a dog sledding tour on a frozen river and through the wilderness around
Jukkasjarvi and a four-hour Northern Light tour on snow-mobiles and
staying in the 'cold accommodation' for one night at the Ice Hotel. Yes
I did sleep in a cold room at The Ice Hotel (at -5°C) and I am still
here to tell the story. In fact, you get a diploma if you wake up alive
in the morning! It was a fairly packed schedule within a four-day trip
The wedding took place in the Ice Chapel and was a traditional Swedish
ceremony which took 30 minutes or so. The warmest temperature inside the
chapel and the Ice Hotel is no greater than -5°C, which is considerably
warmer than the temperature outside. The coldest I experienced during
this trip was -29°C. The wedding party then headed off to the Ice Bar
for some drinks, then the family group shots, and then, after the guests
have headed off to the ‘warm bar’, the shots of the couple and the
wedding breakfast. The whole wedding took no longer than about two
hours. Unlike a traditional wedding of say eight hours there is even
more pressure on being organised and getting the shots which I’d been
paid for.
My biggest concern was the batteries in the camera but I did not need to
change the batteries once during any shoot we went out for. They pretty
much lasted all day long.
Photographing inside the Ice Hotel was challenging. The easy way would
have been to put the flash on the hot shoe and fire away all day long.
But that’s not what I did.*
I was shooting on average around 3200–5000 ISO inside the Ice Hotel with
a few fast prime lenses, the 85mm f/1.4, 35mm f/2 and the 50mm f/1.4. I
shot the ceremony with available light only, even though I had
permission to use the flash. Using flash would have ‘killed’ the whole
ambience of the beautiful and unique setting. So don’t be scared of
shooting at high ISO if your camera body allows you to.

I do use the flash a lot but not
on the hot-shoe of the camera. Flash is one of the most
creative pieces of kit you have in your camera bag. Use it correctly and
you’ll get some
amazing results. I place it on a light-stand and either use an umbrella
or a Lastolite
Ezybox. These are easy to carry and go with me everywhere. I had the new
80x80cm
Ezybox which I used for the group shots with the SB900 flash-gun.
Balancing the
ambient light with flash is the key to getting really good shots."
Coming back to the group shots,
my lighting kit is extremely portable, quick to set up, and easy to use.
I’m pretty much up and running in under two minutes. This is handy in
such a cold place where you don’t want the guests hanging around and
getting cold while you take your time setting up the lighting gear.
After the group shots, I spent about 10–15 minutes with the couple and
we went around the hotel and took their shots. Then we went to the ‘warm
bar’ and shortly afterwards the wedding breakfast and the day was over.
I was pretty exhausted by the hectic activity and the cold conditions
but it was worth every penny! I thoroughly enjoyed the wedding and now
rank it amongst my favourites.

Our Northern Lights tour was
arranged on a bitterly cold evening. But what, exactly, are the Northern
Lights? The Northern Lights, Aurora Borealis, appear in a clear night
sky as swirling rivers of greenish-blue light. They move and dance
unpredictably; sometimes barely perceptible, then suddenly growing
vivid. In simple terms, the auroras can be explained as an interaction
of the solar wind and the Earth’s magnetic field. The phenomenon occurs
when the particles collide with atoms and molecules in the upper
atmosphere, transforming kinetic energy into visible light. The most
intensive auroras occur at a height of about 100km and each can be 10 to
30 km high.
The Northern Lights can be seen
virtually every clear night at high latitudes. We had to travel about
45km on the snow-mobiles from the hotel to be able to see them. The
experience of driving a snow-mobile through the wilderness was pretty
incredible. I was wearing four layers of thermals and fleeces, a jacket
and then a snow-suit, three layers of socks with snow boots and I was
still freezing!

Setting up and photographing in complete
darkness while wearing gloves was not ideal. There is no way the
autofocus will work on any camera as it is so dark, the focus has to be
set on Manual mode and then you set the exposure by experience. I was
able to set the shutter at around only 6–8 seconds (10,000–12,800 ISO)
and capture some amazing shots of the lights. I was pretty lucky that I
managed to see them first time around.
Speaking about the Nikon D3S, the camera handled perfectly in such
extreme conditions. I love the high ISO performance, the 12.1MP is ideal
for the kind of work I photograph. The ‘D-Movie’ adds a new dimension of
creativity with HD quality. An external microphone can be attached for
stereo recording. Using shallow depth of field provides beautiful blur
on the background. All in all, an incredible experience of a lifetime
with the best DSLR around at the moment.
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