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Members News Monthly Image Competition April 2012 |
gmg ColorProof

"…without exception, the most accurate print you are ever likely to see
of your original.…”
Being a magazine we frequently become involved in discussions about
proofing for output. One name crops up universally when discussing
proofing, GMG. They are a German-based software company specialising in
products for precision colour reproduction. And precision is the
operative word, a correctly made GMG contract proof is, without
exception, the most accurate print you are ever likely to see of your
original.
The level of accuracy (usually less than 1ΔE₀₀ over the test target) is
more accurate than any social photographer is likely to need in their
day-today work, but disputes always arise and the ability to create an
accurate and certified proof can be very useful in resolving such
matters.
Such accuracy comes at a price. GMG's normal
territory is the press and pre-press establishments which are quite used
to shelling out vast amounts of money on their facilities. The cost of a
GMG solution (there are many options) runs to a couple of grand for
starters, so you had better need the accuracy before you lash out for
it!
It is one of the curiosities of the Mac-based graphics world that RIPs
in general and GMG in particular are based around various Windows
operating systems. ColorProof has installs for XP Professional (SP3),
Windows Server 2003 and 2008, and Vista. No doubt the programmers are
working hard on Windows 7, like many others, GMG were unimpressed by
Vista!
The software is dongle-protected which normally restricts either the
size of the printer (eg, 17", 24", 36", etc) and/or the printer model.
If you own an older Epson model such as the 4800 this will perform
admirably using a GMG RIP so there is no need, perhaps, to invest in a
new printer.
The input images to the GMG RIP are based mainly around pdf workflows,
but JPEG and TIFF files may also be printed. An 'output profile' is used
to mimic the device that the proofer is trying to mimic. This might
typically be to a FOGRA 27 or 39 data set to mimic highquality press
output (such as used for Professional Imagemaker). Alternatively a
lower-quality output such as newspaper might be imitated.
In Use
Setting up the proofer is quite daunting. We chose the hero's route and
attempted to do so unaided (GMG normally offer training). We followed
the on-line help instructions for manually setting up a simple workflow.
The program uses SQL Server Express to run itself and this must first be
running to allow GMG ColorProof to start. This took us a few goes to get
the hang of; certainly on our XP box the software is quite pedestrian
and you have to slow down and give plenty of time for things to happen
before you panic and start random mouse-clicking!
Calibration
The system must first be calibrated which is a wizard-driven iterative
process. In other words you make a test print, measure it, the program
does some sums and has another go (hopefully better). You then print
again and measure again, the keep going until everything has been
tweaked to the required standards of accuracy. The list below shows the
progression of the calibration as the printer was adjusted and brought
into line.
This calibration was saved within the system to control future
printmaking at these settings. It is noteworthy that despite using Epson
Proofing Paper White Semimatte, (effectively a 'rogue' media) we
obtained a contract-grade proof with our very first print! After our
previous struggles with RIPs (and we have tried many) the result left us
a little surprised (stunned actually!) – could it really be this easy?
Anticipating that we might have fooled ourselves we took the proof and
measured it using a completely different set of software solutions. The
first Hoecker Colour, is a Mac-based certification system; for the
second we simply hand-balled the data using a mixture of X-Rite
ColorPort, BabelColor and Microsoft Excel. Our fears were unfounded, the
proof really was a good as we first thought. To prove it was not a fluke
we then ran another print using a totally different image (the cover
from the last issue).

In a nutshell then, the GMG RIP proved capable of delivering
Fogracertifiable proofing quality with less than two hours of setting
up. The accuracy is quite breath-taking, especially considering it is
from a completely standard Epson 4800. We had expected to be making all
manner of fancy linearisation moves before we even got started. We
assume that the linearisation is carried out during the wizard-driven
calibration process using a sub-set of the swatches.
Like other RIPs the interface is difficult to get your head around as
there is a deal of sophistication available. As normally sold, GMG
expect that you will buy into a turnkey 'solution' which includes all
the things that you need to get underway. The usual RIP facilities such
as nesting, watched folders and load-balancing are available.

ABOVE: The Hoecker Plot is a Mac-based
analysis tool for measuring a number of
types of control strips in proofing. The screen
grab above shows the interface and although
a numerical report is also created (and may
be printed to a label to be affixed to the proof
print – see right) there is also quite a lot of visual
representation. When all of the chart is 'in the green'
things are fine, red appears if measurements slip
outside specification.
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