Mike
McNamee looks at the Innova range and gets some pleasant suprises, just
in time for Focus!
In a world in which their rivals have been operating for centuries,
Innova Fine Art are very much the new kids on the block.
However, since they commenced operations they have rapidly gained a
reputation for highquality inkjet art media and have gathered a faithful
following of users. One of the highlights of Focus 2007 was the Innova
display of panoramic landscape images by David Osborn, which really
showcased the media to great effect.
Presently the range consists of five papers in their FibaPrint range,
six papers in their Photo Art Collection, six papers in their Fine Art
Collection, and a number of canvas materials. Their newest paper, the
baryta-like Ultra Smooth Gloss, we reviewed in detail in the last issue,
when we also touched upon the other FibaPrint materials.
However, we kept some of the testing back for a more comprehensive all-Innova
review this issue. You may recall that the Ultra Smooth Gloss material
broke the colour fidelity record and the baryta-like FibaPrint range
remains much favoured.
The Base Properties
We list all the Digital Fine Art papers together for this review. The
product list is tabled along with the baseline properties which are also
plotted graphically. The graph shows the cream of the Warm Tone Gloss,
Soft Textured Natural White, Cold Pressed Rough Textured, Canvas Textile
Paper and Smooth Cotton Natural White. The Smooth Cotton High White and
Soft White Cotton are a slightly warmer cream than those listed
previously. The baryta-like group of the FibaPrint range are
progressively more blue, that is they are both cooler and brighter,
owing to the OBA concentration employed. The two (older) canvas
materials are just on the cool side of neutral (at D65). The composite
UV-illuminated swatches show the overall, visual OBA activity, as do the
OBA lift values tabled.
The Dmax capabilities fall into three categories. The FibaPrint gloss
and semi-gloss variants are all over 2; the matte papers are all around
1.5 and the matte canvas options are less than 1.5. All these values are
both representative and expected for material of their class.


Photo Quote: In photography, the smallest thing can be a great subject. The little, human detail can become a Leitmotiv. - Henri Cartier-Bresson