Carl Zeiss Distagon T* 2/28 lens in EF mount

13/10/09

The breaking dawn is a special time for photo- graphers. When the early-morning sun reluctantly chases away the still-glistening dew on the trees, this delicate transition between night and day creates moments of calm and anticipation. But without a tripod at hand, these shots will only succeed with a lens that can handle intense light.

Carl Zeiss today introduces the wide-angle lens Distagon T* 2/28 ZE with EF bayonet, suitable for all analog and digital EOS camera models. With an initial aperture opening of 1:2, it is among the most light-intense of its kind in its focal length. From landscape photography at dawn to interior shots with weak lighting and close-up portraits, the Distagon T* 2/28 ZE offers photographers plenty of room for creativity when a tripod is not used. Following the recent introduction of its two ultra-wide-angle lenses, the Distagon T* 3,5/18 ZE and the T* 2,8/21, the new Distagon T* 2/28 ZE is Carl Zeiss’ first moderate wide-angle lens with EF bayonet.

Despite its high light intensity and complex retro-focus construction, the Distagon T* 2/28 ZE has a compact build. These characteristics make the lens a highly versatile and performance-driven tool for all types of photographers. Even with its wide angle, the lens enables photographers to play fully with an image’s depth of focus. With a wide aperture opening, for example, one can effectively separate the motif from its background. With a small aperture opening, photographers can use the sharpness of the lens system for the entire image range. The floating elements design guarantees high imaging performance each time, from close-ups to infinity, enabling the photo- grapher to make razor-sharp close-up images of even the tiniest objects. Thanks to the Carl Zeiss T* anti-reflective coating and meticulously crafted lenses, the new Distagon T* 2/28 ZE deals effortlessly with reflections and stray light. Brilliant pictures work every time, even under tough lighting conditions such as a breaking dawn.

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