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Society of Wedding and Portrait Photographers - SWPP and BPPASWPP and BPPA - Professional image makers

Saturday 6th September 2008  GMT 


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Kata R103

Marrutt launches professional inkjet Photobooks 

05/09/07

Marrutt Digital has introduced a range of luxurious leather-look professional Photobooks designed for professional photographers to produce Photobooks in-house in minutes, at a fraction of the cost of outsourcing using their own inkjet prints. They are exclusive to Marrutt (look out for leaflet inserted in this issue)

Two sizes of Photobooks are available – to take A4 landscape or 30cm x 30cm (A3 trimmed one edge) prints – with the covers in two colours, Portfolio Black and Pearl White. They take a minimum of five and a maximum of approximately 20 average thickness inkjet prints. The Photobooks are heat bound for total reliability and durability.
Priced at £79.50+VAT and £3.95 P&P per pack of 10 Photobooks, (either size and colour) these professional hotobook binders use the industry standard Unibind heat binding system. The Photobooks are also sold individually for £12.95+VAT and P&P.
Startup Pack Offer : Marrutt is offering a startup pack, which includes a Unibind heat binder and a pack of 10 Marrutt Photobooks (same size and colour), for only £199.50+VAT and P&P, a saving of £29+VAT, as the binding machine
usually sells for £149+VAT.
Free sample Photobook: Marrutt is prepared to supply a sample Photobook (either size or colour) for only the carriage cost of £3.95, if you apply online at www.marrutt.com. Strictly one sample per person.
A fast, professional gold or silver foil blocking service is available
e-mail: digital@marrutt.com
 

The SWPP 2008 Convention was an outstanding success,
we have 130 days to get ready for the 2009 convention - which starts on January 14, 2009

portrait professional - swppusa

Photo Quote: We take language into our minds; we read words in the same internal voice with which we think, remember, pray. But when we look at paintings or photographs, the reverse is true. If the image corresponds to our most intensely personal, yet archetypal, yearnings and memories, we don't take the image in, we move out of ourselves into the image, as though it were another world, a hologram whose forms of light are ghostly angels, or a dream whose physical reality is suggested by what we see on the surface of a canvas or a page. We connect with the image as though we had lost it within our own memories and are now surprised to find it represented outside ourselves, vital and luminous, charged with energy. - Jayne Anne Phillips