Professional Portrait Lighting (Michelle Perkins)
Get a behind-the-scenes look at the lighting techniques used by top photographers
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Members News Monthly Image Competition April 2012 |
Andrew Berend has described the philosophy
behind Portrait Professional on the previous pages. We have had the
opportunity to test a pre-release copy of the software, which is now at
version 9. We tested the studio version, which is fully featured.
For those who are unfamiliar with the program it is worth emphasising
the overall features and the way it works. The software has been
'taught' the proportions of attractive faces in terms of eye spacing,
face shape, lip shape, etc. You begin, therefore, with just five clicks
of the mouse, to tell the software where your subject's eyes, nose and
mouth are, clicking at the left and right ends of the eyes and lips and
the tip of the nose. This process can be relatively quick because great
precision is not required. Then the program offers you close-up views of
the eyes and lips so that you can further define the position of the
features and their exact shape. You finish this part by defining the
overall face shape, chin, cheeks and hairline.
The underlying program knowledge then comes
into play as it shifts the facial features towards the 'perfect' shape.
Thus we find if we use a picture of Kate Moss or Katie Price (aka
Jordan) the blue lines almost match. You can see this in our test shot
of model, Katie Green, a pretty girl by any standards. The blue lines
are a near perfect match to her features (although, slightly bizarrely,
Portrait Professional wanted to make her eyes smaller!). As well as
facial sculpting quite a number of other 'enhancements' are made to
teeth, eyes, and the skin texture.
Much of what is carried out can be accomplished by a skilled Photoshop
retoucher. However, it would normally take many hours of work (and
skill) fo recreate what Portrait Professional accomplishes in a few
seconds. Our tests on pretty, well made-up models are not typical of
'ordinary' faces and it is there that the program becomes both useful
and, it has to be said, a real money-maker.
For those of you who are familiar with Portrait Professional, the new
features are as follows:

ABOVE: Model Katie Green matched the
'average beauty' markers very closely.
BELOW: Even with Portrait Professional you still need to keep your
thinking-cap on. This shot lies just between full face and 3/4 view and,
depending upon the placement of the marker lines, the retouch is
successful or you end up with a distorted image. Should this happen, try
again with different settings.

Read more articles on portrait photography
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