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Members News Monthly Image Competition April 2012 |
As we gradually see the recession fade, now is the time to really
gear up our advertising and promotional programmes.
Traditionally, studios have tended to use newsletters and mailings to
generate business and hopefully to get new clients, and one of the most
common themes has been to offer discounts on their base services. But
these discounted services really do not work very well for several
reasons.

The first is that unless the mother picking up the mailing is an old
client, or already thinking of having a new portrait session, a discount
is not a strong enough reason for taking up the offer. When doing a
mailing we need to get at least a 3–4% response and discounted services
usually get less than 1%.
Second, if the potential client is not familiar with your studio, or not
an old client, the discount is not an incentive to call. It is virtually
meaningless.
Third, almost every studio that mails to the mother is offering a
discount, so why should she call you instead of another no matter how
attractive your mailing? She may call any number of your perceived
competitors and then it becomes what might be described as a ‘crap
shoot’.
Fourth, in a weak economy almost every business is offering discounts,
from furniture, automobiles, hardware to home décor and home
improvement. Discounts are so much part of the business environment they
are an every-moment concept. They mean virtually nothing. Add to this
the nonsense of the $1.99 deal that is simply $2, price is not always
the deal-closing factor.
Discounts only work when a prospective buyer is actually thinking about
your product or service. When we look through the advertising we get in
the mail or via email, we mostly think that unless something special is
offered that may have been in the back of our minds we simply just
browse. It is possible that an existing client has a new portrait in
mind so she is more likely to call and see if you have something she is
interested in.
So what is more likely to bring your old clients and new ones too?

Themes
At Norman Phillips of London Photography studio, established in 1983, we
established a strong market across the United States by creating reasons
for families to visit the studio, not only by the quality of the
photography and service, but by being creative. In other words giving
both existing clients and new clients a reason to make an appointment.
But first let’s review why families have portraits made. One is to
update the family portrait or to maintain the picture record of the
children. Consequently this appointment is made several times in the
first two years and then each year until they go to school when, in many
cases, the school photographer takes over. But, if we have built a good
relationship with the client we should still be creating both family and
individual portraits of these clients, and especially the children,
regardless of the school photographer.
You note that there is a pattern here and we need to create a reason to
break that pattern. This is where a little creativity comes in and, at
our studio, we created a series of themes to entice parents to bite on
an offer. These themes were planned to generate new business over the
period between the special holiday dates that often cause parents to
have portraits made; Christmas and Easter (in some markets), Mother's
Day and Father's Day, though the latter two can be tweaked to be more
effective. The themes need to be distinctly separate from traditional
holiday themes.
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