Professional Portrait Lighting (Michelle Perkins)
Get a behind-the-scenes look at the lighting techniques used by top photographers
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Members News Monthly Image Competition April 2012 |
What about the Light? - seeing is Believing
Norman Phillips FSWPP

"…the weakest element in professional photography is lighting
technique…"
I have presented over 260 seminars and workshops (and by the time you
read this I will have added two more at the Societies' Convention) and
written countless articles and nine books in which there has been a
dominant theme – Lighting.
The subject has no end and there appears to be an ever-lasting need for
information on lighting techniques. Despite all those programmes and
writings, not only mine, but others such as Montizambert and none less
than the late Monte Zucker, there is a general consensus among leading
industry practitioners that the weakest element in professional
photography is lighting technique and many blame this weakness on the
advent of the digital camera. e using film, even if ratios and exposures are more
critical.
The issue with digital is something of a red herring from a technical
viewpoint. The influx of countless new ‘professionals’ in photography
has created an overwhelming majority with no experience of film
technology. Many have jumped into the discipline with the notion that if
they shoot enough images one is bound to come good, and if not, there is
always Photoshop. But there are two things that cannot be fixed in
Photoshop, posing and lighting. I accept that we can mess around with
the lighting in post capture but anyone who knows lighting technique
will very quickly identify its relative failure and the great waste of
time cancels out the value of even a modest improvement. So why not get
it right at the time of the exposure?
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