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Saturday 26th May 2012  GMT 


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Monte Zucker's Portrait Photography Handbook

Order Monte Zucker's Portrait Photography Handbook Here

In this book, completed shortly before his death in 2007, Monte presents a comprehensive guide to the flawless lighting and elegant posing techniques that have made his images stand the test of time.

More articles on photographic portraiture

Click here to find out more

Members News

Monthly Image Competition
Cash Prize Winner

April 2012
Judges Choice Award Winner


Sponsored by Fuji
and Nik Software

Seeing the Soul

- Page 1

When women come into my studio, the first thing they most often say to me is, “I am not photogenic. I have never had a good portrait”. But she wants one. Most arrive at my studio nervous, if not frightened, wondering how this process works. This is where our work begins.

pregnant lady


posing dark haired lady well dressed lady in dress and cloak

 

 

 

 

 

 

 

 

 

 

 

This portrait is to be their story, their portrayal. The single most significant aspect of my portrait creation is expression. I am looking to deliver high emotion content to my clients in addition to capturing and expressing their outer beauty. Not only do I want these images to be seen, but I want them to be felt – deeply. To that end, I always schedule a complimentary consultation with my clients which might last from 45 minutes to two hours – it just depends. The point is that we get to know each other and, on an emotional level, I start to experience this person’s story. Some people open to this easily, others are more guarded. To the extent I am open, genuinely caring and very present, the process works well. It is a time when the person sitting before me must have my undivided attention. This is no time for being hurried or thinking of something else. The client must fill my total mind space. I must be in the moment. I love sharing this level of discovery and intimacy with my clients. It is also the time when I commence my creative vision of the final portrait. I sense the mood, the colour, the pose and lighting appropriate for this person. This enables me to be set up and to move more quickly and confidently on the day of our shoot.

My portrait sessions are normally scheduled about one to two weeks after the consultation. My experience is that this time between the consultation and the shoot is very beneficial to the emotional calming of the client for the subsequent portrait session.
 

 

On the day of the portrait session, I am actually a bit distracted. Now, I must attend to the details of the set, the lighting, the drapes and folds of fabric. Yet clients so often point out how very comfortable I have made them feel. I have paused to think about this. Why are they feeling this level of comfort, as busy as am on that day? I have concluded that they feel this comfort because they feel clearly my connection to them and their interest. They feel the confidence I feel – that I will deliver the portrait we have envisioned. They know that I sincerely care and to do this work – one must.

I find this work so gratifying – wrong word – it is not work – I feel deep and profound joy when my clients come to the unveiling of their portraits and walk away with it as a treasure they and their loved ones will enjoy forever.

 

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What our members say
Why I like the Societies: Excellent reputation, the 'mentor me' programs and the doors that will be opened up to me. - Lucy W
Find out more about the Societies here

Convention testimonials Scott Johnson: Thank you @TheSocieties for an amazing convention, packed with such inspiring speakers. I'm buzzing! Can't wait for next year!! #swpp
Find out more about the Convention here

Photo Quote: The most difficult thing for me is a portrait. You have to try and put your camera between the skin of a person and his shirt. - Henri Cartier-Bresson

There are 227 days to get ready for the SWPP Convention and Trade Show at The Hilton London Metropole Hotel ...
which starts on Tuesday 8th January 2013

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