Monte Zucker's Portrait Photography Handbook
In this book, completed shortly before his death in 2007, Monte presents a comprehensive guide to the flawless lighting and elegant posing techniques that have made his images stand the test of time.
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Members News Monthly Image Competition April 2012 |
When women come into my studio, the first thing they most often say to me is, “I am not photogenic. I have never had a good portrait”. But she wants one. Most arrive at my studio nervous, if not frightened, wondering how this process works. This is where our work begins.



This portrait is to be their story, their portrayal. The single most
significant aspect of my portrait creation is expression. I am looking
to deliver high emotion content to my clients in addition to capturing
and expressing their outer beauty. Not only do I want these images to be
seen, but I want them to be felt – deeply. To that end, I always
schedule a complimentary consultation with my clients which might last
from 45 minutes to two hours – it just depends. The point is that we get
to know each other and, on an emotional level, I start to experience
this person’s story. Some people open to this easily, others are more
guarded. To the extent I am open, genuinely caring and very present, the
process works well. It is a time when the person sitting before me must
have my undivided attention. This is no time for being hurried or
thinking of something else. The client must fill my total mind space. I
must be in the moment. I love sharing this level of discovery and
intimacy with my clients. It is also the time when I commence my
creative vision of the final portrait. I sense the mood, the colour, the
pose and lighting appropriate for this person. This enables me to be set
up and to move more quickly and confidently on the day of our shoot.
My portrait sessions are normally scheduled about one to two weeks after
the consultation. My experience is that this time between the
consultation and the shoot is very beneficial to the emotional calming
of the client for the subsequent portrait session.
On the day of the portrait session, I am actually a bit distracted.
Now, I must attend to the details of the set, the lighting, the drapes
and folds of fabric. Yet clients so often point out how very comfortable
I have made them feel. I have paused to think about this. Why are they
feeling this level of comfort, as busy as am on that day? I have
concluded that they feel this comfort because they feel clearly my
connection to them and their interest. They feel the confidence I feel –
that I will deliver the portrait we have envisioned. They know that I
sincerely care and to do this work – one must.
I find this work so gratifying – wrong word – it is not work – I feel
deep and profound joy when my clients come to the unveiling of their
portraits and walk away with it as a treasure they and their loved ones
will enjoy forever.
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Photo Quote: The most difficult thing for me is a portrait. You have to try and put your camera between the skin of a person and his shirt. - Henri Cartier-Bresson
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which starts on Tuesday 8th January 2013