This competition is now closed
month's competition concentrates on the human face. We encourage entrants to
submit images which show expression: happiness, sadness, fear, anger, seduction,
Remember that good lighting is essential to bring out the beauty of the subject and also placement of the head is also vital in creating a memorable image, these include: Full Face, 2/3 Face and Profile.
Photofinishing and postproduction are also essential and those extra moments spent putting in the finishing touch can pay dividends.
- Free to enter for all photographers including non members
- A maximum of three images per entrant are welcome
- The work must be that of the entrant
- No entry will be eligible that has been made under the supervision of an instructor or as a class assignment
- Images submitted must be no larger than 2000 pixels wide
- All entrants must be able to supply a high resolution image (300dpi)
- Copyright of the images remains with the photographer - The Societies recognises that the entrant, the author of the photograph, retains complete and full ownership of the copyright in each submission
- Entries can be used for publicity purposes only by The Societies and may be printed in our magazine Professional Imagemaker
- Competition Closed
- The judge’s decision is final and no correspondence will be entered into.
- One year Free Membership of any of our Societies - which includes: entry to all of our membership only competitions - unrestricted access to our members photography forum – listing on our directory - image mentoring - qualifications and distinctions through submission of images - the winner will also receive our magazine Professional Imagemaker for 12 months
No cash alternatives will be given
See winning images HERE
See entries HERE
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Photo Quote: We take language into our minds; we read words in the same internal voice with which we think, remember, pray. But when we look at paintings or photographs, the reverse is true. If the image corresponds to our most intensely personal, yet archetypal, yearnings and memories, we don't take the image in, we move out of ourselves into the image, as though it were another world, a hologram whose forms of light are ghostly angels, or a dream whose physical reality is suggested by what we see on the surface of a canvas or a page. We connect with the image as though we had lost it within our own memories and are now surprised to find it represented outside ourselves, vital and luminous, charged with energy. - Jayne Anne Phillips