by Jane Conner-ziser Published 01/08/2008
"... I came to the conclusion that bright colours and jumbles of flowers are the key elements..."
A good portrait artist knows that successful paintings result from making the right decisions. An artist who works with a variety of photography styles should be comfortable being a chameleon of sorts in order to create paintings that are appropriate to the piece. 
Take this image, for instance, sent to me by Clay Blackmore. At first glance I wasn't keen on painting it because I thought the flower detail was screaming to be a photograph, but Clay was really interested in seeing a painting, so I put on my thinking cap to see what I could come up with for him and his customer.
Studying the image, I came to the conclusion that bright colours and jumbles of flowers are the key elements. For painting style, I had the choice of painting each flower perfectly or going with a rougher, more interpretive approach. The image seemed spontaneous, excited and happy to me. I didn't want to quieten it down by being too structured, so I formed a plan to develop the painting in a free and uninhibited style.
My thinking was that the couple went into the flower field because it was so amazing. I wanted to see more flowers so I stretched the field up behind the subjects in Adobe Photoshop. I wanted to see more colours so I used an Image Adjustment Layer for Hue and Saturation to saturate the yellows, greens and cyans. In order to retain more detail in the paint, I further prepared the image by adding Lucis Art's 'Exposure' to super-define the edges. 
The Societies of Photographers Convention and Trade Show at The Novotel London West, Hammersmith ...
You have 209 days until The Societies of Photographers Convention starting on Wednesday 16th January 2019