articles/Review/fujifilms5pro-page4
Published 01/06/2007
The in-car shot of Amy is taken under less arduous conditions and the dynamic range is easily accommodated. Detail Analysis Tweed materials are particularly difficult for digital cameras to reproduce well as the regularity of the pattern frequently result in moire fringing. In the outdoor shot, the folds of the jacket are softened, as shown by the blown-up section of the coat. Sharpening was carried out on a RAW file and on the simultaneous JPEG. The RAW file was noticeably better as the skin tones were starting to break up in the JPEG.
Shooting for Real Gary Galt really puts the camera to the test
In the laboratory we can shoot all the Macbeth Charts we like, but the proof of the pudding is getting the camera out to a real wedding, shooting real people under real pressures. We did not have to search long, for we found that SWPP member, Gary Galt, had already purchased an S5 Pro and was poised to use it. Gary is a long-time Fuji S3 Pro user and so his thoughts had even greater significance. In general he found the S5 to be faster than the S3 and he shot under a wide variety of conditions from 100 to 1600 ISO, with and without flash, indoors and outdoors, and at night. He kindly provided a good selection of the shots taken by himself and his brother, Ian and we processed them by a variety of methods. Both the S3 and the S5 were used.
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SWPP - Society of Wedding and Portrait Photographers
The Society of Photographers
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